'Think Loudly in your Quiet Mind'

'Think loudly in your quiet mind.'

Charcoal, pastel and gesso on paper

40cm x 50cm

This is the latest piece in the series. The title is again, a line from one of my poems. As the written word and the visual image become increasingly interwoven, you might wonder what comes first the work or the title? And you might also wonder whether it really matters. To answer the first question...most of the time I make the work and find a title for the piece after. Occasionally, I find a title and make the work to fit. In answer to the second question...I don't believe it does matter :)

'The Ending'

graphite, pastel and gesso on paper

40cm x 50cm

'Silently, reluctantly,

Break free from tomorrow'

The contrasting layers of dark and light are less integrated and more apparent in this piece. It appears as if the white that masks the subject is dissolving away and revealing the person behind which I hope captures the sense of meaning in the line of the poem. When I'm working in this way, I have to build up quite a bit of courage at times in order to paint over what I might feel is an already successful drawing. I'm making the under drawings with as much consideration and resolve as I would if I wasn't intending to paint over them. I can't afford to 'skimp' on the preliminary drawing as it just wouldn't work. Sadly, I do have a failure or two along the way which just so's you know, go straight in the bin...!  :) 

'The Secret'

graphite, pastel and gesso on paper

65cm x 45cm

'I look across the space and see 

A whole new world that I could be

a part of...'

I've used the ancient symbolism of the rose in this piece. The rose has been used since ancient times to denote secrecy. In mythology Aphrodite gave a rose to her son Eros as a sign to keep her indiscretions hush hush! I've also attached to the drawing another line from my poem. 

'Facing the Truth'

80cm x 60cm

charcoal, pastel and gesso on paper

'And while I sit here wondering why, 

My time without a trace runs by, 

And I am left forgotten' 

I've used the above lines from the end of a poem to capture the feeling in this piece. The subject is taken from one of my much earlier series of drawings which I've always promised myself I would return to, to develop the drawings further...and now at long last I have! And I must say it's a very satisfying feeling to fulfil a promise!  The lines of poetry fit nicely with the image and add another dimension to the work. I attributed the lines after I'd made the drawing, so they have in a sense, become an extension of the work. 

By the way, in case you were wondering...the lines are not appropriated, they are taken from one of my own poems...so no ensuing copyright issues on the horizon! :)

New Work

'Travelling Alone'

Charcoal, pastel and gesso on scored paper

65cm x 45cm

I've used quite alot of gesso in this latest piece which has resulted in the female figure in the drawing seeming as if she were transmuting into sculptural form. The ambiguity of this I like, and brings me closer to where I want to be with my work. And where is that I hear you asking...if only I knew is my answer to that!! But that's what makes creating art exciting...it's never quite knowing where the creative process will take you and at which destination the work will eventually arrive!

'Subway' reborn!

Charcoal, pastel and gesso on paper

70cm x 60cm

Some of you might remember the original version of this drawing from a previous exhibition back in 2011. It was then titled 'New York Subway (Early Morning)'. I've always liked the subject and recently became inspired to rework it with the methods I'm using in my current practice. I have to tell you though it took alot to follow the courage of my convictions and paint over this drawing but once I'd started...well, that was that there was no turning back! 

'Tear'

'Tear'

Graphite, pastel and gesso on paper

60cm x 50cm

Here is my latest drawing...it's about private moments...the pain of youth. A tear is shed whilst reading a text. It is how, much of the time we receive our messages these days...good news, bad news all channelled through the mobile.

Hope you are well...and happy like me that the Spring is here...yay! :) 

More drawings soon...

'The Birth of Ophelia'

'The Birth of Ophelia'

60cm x 1200cm (24" x 48")

gesso, charcoal and pastel on board 

This last piece, which I am pleased to tell you is now complete... :) has been influenced by Sir John Everett Millais' 'Ophelia'. The painting by Millais depicts a scene from Shakespeare's Hamlet in which Ophelia's father is murdered by her lover Hamlet and as a result Ophelia drowns herself in a stream. My Ophelia on the other hand, is in the process of rebirth! She represents the feminine and creative aspects of water in the way that for aeons water has been equated with the feminine aspects of creation and nature. There is a common and recurring image in many cultures, that of the Goddess emerging from the water. So here, my Ophelia is emerging from the water only to be reborn as a Goddess..don't you just prefer happy endings!...:)

'Joan'

'Joan'

120cm x 60cm

charcoal, pastel and paint on board

Meet Jeanne d'Arc or as we know her Joan of Arc! She is also known as the Maid of Orleans and represents here the archetype of 'heroine' or 'woman devoted to a noble cause'. History states that Joan denied her femininity in order to fit in with the 'boys' on the battle field There are other 'heroines' in history whose story is similar, (Camilla for one, who fought in Italy against the Trojan hero Aeneus ) which might lead you to the conclusion that heroism is a male prerogative. Now we can't have that can we!  In my version she is portrayed as a strong, determined but nonetheless very feminine woman. She wears part of her coat of arms (a lily) on a pendant around her neck symbolising her devotion to duty and her willing sacrifice to the belief that she was to be emancipator of France. 

This piece will be part of the show in September. I have just one more piece still to make to complete the body of work for the show...nearly there!

'Helen of Troy' Archetype of beauty or scapegoat?

40cm x 50cm 

charcoal, pastel and paint on board

Here is my version of a modern day Helen of Troy. Helen is a character that I find fascinating and who I tend to think has had a raw deal! Over the centuries she alone has had to shoulder the blame for the Trojan war having been arguably accused of being the sole reason for the battle. We know Helen was not squeaky clean but the accusation is just a little unfair as the Greeks and Trojans jumped at the chance to go in there and do battle with each other! They had their own political agendas, but they've been allowed to escape scot-free and haven't had to accept any responsibility!! So here is my homage to Helen as archetype of beauty yes, but also as long-suffering scapegoat who now deserves to be liberated :)

'Healing Fibres' - Exhibition in Worcester, Massachusetts

45cm x 50cm

mixed media on paper

I've reworked this piece for an exciting new exhibition 'Healing Fibres' organised in Worcester, Massachusetts by fibre artist Bayda Asbridge. The exhibition is an annual event to raise awareness and discussion about political, environmental, gender, racial, medical, human rights and other societal issues. The theme for this year is violence against women. This image is to be one of my pieces. I have included threads in the drawing and placed a layer of slashed and distressed netting in front of the image to act as a veil. Both of my pieces will be 'veiled'. I should have the other piece ready to post tomorrow.

'Brigid'

50cm x 40cm

charcoal, pastel and paint on board

I'm now in the process of pursuing the feminine archetype as it appears in myth.This is Brigid. She was a powerful, if not the most powerful goddess in the Celtic pantheon. Another name for her is 'Bride'. She was a triple goddess - Maid, Mother and Crone. Her face in my painting is from imagination. All I knew when I started drawing her was that I wanted her image to be in profile.  I placed the crown of flowers on her head as a symbol of the Celtic connection to the land. 

Mother and Infant

paint and charcoal on paper

50cm x 70cm

Still on the theme of archetypes, this piece represents 'the nurturing mother'. Following in the footsteps of the many and varied historic Madonna and Child representations, this image illustrates our idealised concept of motherhood. My subject, I must tell you, is not from imagination but taken from life...it's my daughter-in-law and grandson. They'd eventually fallen asleep on cushions on the floor having spent one of those 'typical' never-ending nights that parents inevitably experience with infant babies! 

'Sub Rosa'

'Sub Rosa'

Charcoal, acrylic and gesso on board

60cm x 60cm

Since ancient times, the rose has been widely used as a symbol of maternal creativity, love and beauty. However, it has also been used as a sign of silence and secrecy. I discovered that 'Sub Rosa' means 'under the rose' and is used to denote confidentiality and secrecy. In the middle ages when a rose was hung from the ceiling of the council chamber, all those present at the meeting were pledged to secrecy. I found being 'under the influence' of the rose an intriguing idea and decided to make some work about it. I hope you find this piece equally intriguing. 

Next body of work

oil paint and charcoal on board

60cm x 60cm

This is the first piece of my next body of work. I began making it a while back whilst working on my mosaic drawings. It's for the exhibition in September titled 'Aspects of the Feminine', an intriguing subject and one I'm going to enjoy working with. I'm exploring the use of oil paint and charcoal together. They're my two all time favourite media so I'm finding the process very exciting! 

I'm at Caistor tomorrow making a drawing in the gallery (and probably doing alot of chatting!) And then Monday we're off to our house in Spain for a few days, spending time with family and carrying out the usual annual maintenance (that's the down side!)  Hopefully though, there won't be too much to do when we get there :)

Fragment of a mosaic (drawing)

charcoal on scored and cut paper

30cm x 30cm

Although you can't see it in the photo, this drawing is in relief and stands about 1 cm proud of the surface. I've made it to go into a deep box frame. It was problematic attaching it to the surface and at this moment in time it's clamped together and weighted down to keep it flat whilst the glue dries! Ok...deadline approaches, I've no time to lose so it's head down and onto the next one!

'Bodylines'

'In Rehearsal 3'

50cm x 40cm

charcoal on scored paper

This is one of the pieces I have hanging in a joint exhibition of work called 'Bodylines' currently showing at 'Gallery at St Martins' 37b Hungate, St Martin's Square (behind the Cheese Society), Lincoln. The exhibition is on for this week only and finishes on Sunday.  If you like figurative work you'll love this show!  So please come along and take a look if you are in the area! There are drinks and nibbles on offer this Saturday afternoon 8th March 1pm - 4pm.

Nox

40cm x 30cm

charcoal on scored, creased and cut paper

I wasn't sure this drawing would be successful in mosaic form but I have to say I'm pleased with the outcome. I believe it has worked in a way that gives the piece an enigmatic quality...it gives the illusion that the subject has been carved into the surface of stone? There are potentially still three more strips for the right hand side of the drawing, if I decide to add them. I'll be starting a large piece on Thursday...!

My finished frames

Today I've been finishing the frames for two of the pieces going into the show 'Borrowed Blue' at Sam scorer Gallery, Lincoln on Monday. I ordered the frame pieces and accessories from Ashcraft Framing and put them together myself. It was simple and straightforward...brilliant! 

'Girl in Blue Jumper'

40cm x 30cm

oil on stretched canvas

I've been working on this piece this afternoon, getting it ready to put in 'Borrowed Blue' at Sam Scorer Gallery in Lincoln. It's an interesting show to take part in because the requirements for the show are as follows: four pieces in total from each artist - one has to be an older piece, one a new work, one borrowed from someone else and one containing a blue element. I couldn't resist when I was invited to participate! The painting above is my 'blue' piece and the drawing in the painting that you can see on the wall on the right of the girl will be my 'borrowed' piece. It's a charcoal drawing by a friend and artist Rosie Burke. I love the drawing and was delighted when Rosie agreed to hang it in the exhibition!

'Borrowed Blue' 

Sam Scorer Gallery

Drury Lane 

Lincoln

2nd September - 15th September  

All those who can get along to the 'invitation do' on Sunday 8th September 2.00pm - 4.00pm are very welcome. Please come if you can. There will be yummy tubs of ice cream (dairy and non-dairy) and lots of soft drinks too. Should be a fun afternoon! :)