'Alexander' finished

8" x 8"

oil on board

Here is 'Alexander' finished. I completed him this afternoon. I've softened the hairline around the temple, redefined the eye on the right and repainted the surrounding area also on the right. There had been a break of two days between painting sessions, the paint surface had dried and consequently proved to be problematic as I was unable to work wet into wet. A solution to this is to lay on more paint in the areas to be worked on, which then allows the painting to be reworked wet into wet in an 'alla prima' manner. Ideally I like to work quickly and complete the piece whilst the paint is still wet, but unfortunately it's not always possible as was the case with 'Alexander'.  

'Alexander' almost finished

8" x 8"

oil on board

I made good progress  with 'Alexander 'today.  He's almost finished, just some tweaking to do.  He needs a little more work around the hairline and I'm not yet totally convinced about the surrounding area, but on the whole I'm happy with him. It's fascinating the huge amount of subtle colour changes present in the flesh. I seemed to make even more colour mixes for the flesh tones in this portrait and ran out of room on my very large palette! 
I would like to wish you all a Happy Easter weekend and I hope you have a fun and relaxing time, despite our prolonged winter weather!!!

'Jo' preliminary drawing

Pencil drawing

12" x 8'

I recently began a painting of Jo (another of my class members), but decided to abandon the painting in favour of a preliminary drawing instead. The painting wasn't achieving enough of a likeness and I felt I wasn't getting anywhere fast! So in order to fathom what was eluding me in the painting, I made an exploratory drawing. Preliminary drawings are always a valuable way of making discoveries and extracting information about your subject. I'm reasonably happy with this outcome, having moved closer to an accurate likeness and also managing to express a little of her individuality. I will now return to the painting and try to push it in the right direction!  

'Alexander' so far

8" x 8"

oil on board

Phew...this portrait has been the trickiest yet! I've pushed it, pulled it, wiped it out, wiped it out again...arghhh! Finally this afternoon, I have arrived at this stage and feel I'm at last getting somewhere and am happy to leave it at this point i.e. while I'm winning!  Happy weekend to all!

Portrait of 'Giles' finished!

10" x 12"

oil on board

SOLD

I managed to complete 'Giles' this afternoon, though things didn't go quite to plan as I ran out of light AGAIN before he was ready to photograph. So this is another photo taken in artificial light. If you compare this finished version to stage 2 in yesterday's post, you'll see that I've altered the shape of the face slightly. I decided it was too chunky with the chin too square. I also strengthened some of the dark values and added a little coolness to the shadow areas. With 'Giles' finished I'm ready to start the next one tomorrow! 

'Giles' Stage 2

Stage 2 is complete and I'm reasonably satisfied with the brushwork but I need to strengthen some of the tonal values in places. I changed my palette slightly for this painting and exchanged cadmium red for rose madder. Rose madder is cooler than cadmium red but it suited the flesh tones I wanted to achieve. My camera hasn't picked up the warmth of the skin tones so well but tomorrow I'll take a photo in daylight...of the completed portrait if all goes to plan!

Portrait of 'Giles' stage 1

10' x 12'

oil on board

Can't seem to stop painting portraits at the moment! This is Giles, my next victim! Stage 1 completed this afternoon. I'm happy with it thus far and will carry on tomorrow. I came across an interesting video today that I thought you might like to watch. It discusses the masterful brushwork of John Singer Sargent. The video is a must for anyone interested in alla prima painting. 

The Daughters of Edward Darley Boit by John Singer Sargent